Viola's Passionate Interregnum: Performing the Chôra Space-in-Between

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Viola's Passionate Interregnum : Performing the Chôra Space-in-Between. / Isar, Nicoletta.

I: Bulletin of the Transilvania University of Brasov, Bind 1 (50), Nr. series IV, 2008, s. 199-204.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Isar, N 2008, 'Viola's Passionate Interregnum: Performing the Chôra Space-in-Between', Bulletin of the Transilvania University of Brasov, bind 1 (50), nr. series IV, s. 199-204.

APA

Isar, N. (2008). Viola's Passionate Interregnum: Performing the Chôra Space-in-Between. Bulletin of the Transilvania University of Brasov, 1 (50)(series IV), 199-204.

Vancouver

Isar N. Viola's Passionate Interregnum: Performing the Chôra Space-in-Between. Bulletin of the Transilvania University of Brasov. 2008;1 (50)(series IV):199-204.

Author

Isar, Nicoletta. / Viola's Passionate Interregnum : Performing the Chôra Space-in-Between. I: Bulletin of the Transilvania University of Brasov. 2008 ; Bind 1 (50), Nr. series IV. s. 199-204.

Bibtex

@article{f9fe3210e17211ddb5fc000ea68e967b,
title = "Viola's Passionate Interregnum: Performing the Ch{\^o}ra Space-in-Between",
abstract = "  The term {"}space-in-between{"} was first coined by Margaret Morse to supply the necessary vocabulary for the definition of the new phenomena of contemporary video installations as a space in motion and transformation. This paper intends to take up a step further in the same direction into the poetics, and the theory of the video installations of Bill Viola. Two concepts, mutually related to each other and phenomenally connected to Interregnum, will assist me in this research: the Platonic concept of ch{\^o}ra space, and the concept of imagination. With the help of Kristeva's reading of the ch{\^o}ra, I hope also to address the interface between imagination and expression in the process of creation and living experience of video art. I hope to show how Viola's contemporary video performances could contribute to reassess the traditional paradigms of the Self. ",
keywords = "Faculty of Humanities, Viola (Bill)",
author = "Nicoletta Isar",
year = "2008",
language = "English",
volume = "1 (50)",
pages = "199--204",
journal = "Bulletin of the Transilvania University of Brasov",
issn = "2065-2178",
number = "series IV",

}

RIS

TY - JOUR

T1 - Viola's Passionate Interregnum

T2 - Performing the Chôra Space-in-Between

AU - Isar, Nicoletta

PY - 2008

Y1 - 2008

N2 -   The term "space-in-between" was first coined by Margaret Morse to supply the necessary vocabulary for the definition of the new phenomena of contemporary video installations as a space in motion and transformation. This paper intends to take up a step further in the same direction into the poetics, and the theory of the video installations of Bill Viola. Two concepts, mutually related to each other and phenomenally connected to Interregnum, will assist me in this research: the Platonic concept of chôra space, and the concept of imagination. With the help of Kristeva's reading of the chôra, I hope also to address the interface between imagination and expression in the process of creation and living experience of video art. I hope to show how Viola's contemporary video performances could contribute to reassess the traditional paradigms of the Self.

AB -   The term "space-in-between" was first coined by Margaret Morse to supply the necessary vocabulary for the definition of the new phenomena of contemporary video installations as a space in motion and transformation. This paper intends to take up a step further in the same direction into the poetics, and the theory of the video installations of Bill Viola. Two concepts, mutually related to each other and phenomenally connected to Interregnum, will assist me in this research: the Platonic concept of chôra space, and the concept of imagination. With the help of Kristeva's reading of the chôra, I hope also to address the interface between imagination and expression in the process of creation and living experience of video art. I hope to show how Viola's contemporary video performances could contribute to reassess the traditional paradigms of the Self.

KW - Faculty of Humanities

KW - Viola (Bill)

M3 - Journal article

VL - 1 (50)

SP - 199

EP - 204

JO - Bulletin of the Transilvania University of Brasov

JF - Bulletin of the Transilvania University of Brasov

SN - 2065-2178

IS - series IV

ER -

ID: 9702525