Standard
Veiled Word(s) – Sacred Silence : Screening the Mystery in the Byzantine Altar. / Isar, Nicoletta.
Image and Altar 800‑1300. Papers from an International Conference in Copenhagen 24 October – 27 October 2007: Publications from the National Museum Studies in Archaeology & History Vol. XX. red. / Poul Grinder-Hansen. Odense : Syddansk Universitetsforlag, 2014. s. 27-44 (Publications of the National Museum. Studies in Archaeology & History, Bind 23).
Publikation: Bidrag til bog/antologi/rapport › Konferencebidrag i proceedings › Forskning › fagfællebedømt
Harvard
Isar, N 2014,
Veiled Word(s) – Sacred Silence: Screening the Mystery in the Byzantine Altar. i P Grinder-Hansen (red.),
Image and Altar 800‑1300. Papers from an International Conference in Copenhagen 24 October – 27 October 2007: Publications from the National Museum Studies in Archaeology & History Vol. XX. Syddansk Universitetsforlag, Odense, Publications of the National Museum. Studies in Archaeology & History, bind 23, s. 27-44. <
http://www.universitypress.dk/shop/image-and-altar-3428p.html>
APA
Isar, N. (2014).
Veiled Word(s) – Sacred Silence: Screening the Mystery in the Byzantine Altar. I P. Grinder-Hansen (red.),
Image and Altar 800‑1300. Papers from an International Conference in Copenhagen 24 October – 27 October 2007: Publications from the National Museum Studies in Archaeology & History Vol. XX (s. 27-44). Syddansk Universitetsforlag. Publications of the National Museum. Studies in Archaeology & History Bind 23
http://www.universitypress.dk/shop/image-and-altar-3428p.html
Vancouver
Isar N. Veiled Word(s) – Sacred Silence: Screening the Mystery in the Byzantine Altar. I Grinder-Hansen P, red., Image and Altar 800‑1300. Papers from an International Conference in Copenhagen 24 October – 27 October 2007: Publications from the National Museum Studies in Archaeology & History Vol. XX. Odense: Syddansk Universitetsforlag. 2014. s. 27-44. (Publications of the National Museum. Studies in Archaeology & History, Bind 23).
Author
Isar, Nicoletta. / Veiled Word(s) – Sacred Silence : Screening the Mystery in the Byzantine Altar. Image and Altar 800‑1300. Papers from an International Conference in Copenhagen 24 October – 27 October 2007: Publications from the National Museum Studies in Archaeology & History Vol. XX. red. / Poul Grinder-Hansen. Odense : Syddansk Universitetsforlag, 2014. s. 27-44 (Publications of the National Museum. Studies in Archaeology & History, Bind 23).
Bibtex
@inproceedings{915a7f5709d1443b875e11c4e8882fd4,
title = "Veiled Word(s) – Sacred Silence: Screening the Mystery in the Byzantine Altar",
abstract = "This paper defines the Byzantine altar as a sacred space of participative performance in the mystery of the Eucharist – a paradigm of “timeless re-enactment of the Christian drama.” Reading a series of Byzantine ekphraseis, the paper addresses such concepts as inner vision (theoria), silent or secret prayer, and divine silence, which are at the very centre of the Byzantine altar. The main focus is to investigate the liminal nature of the Mystery, manifested through concealing-revealing devices, which are thresholds in the liturgical participation of the Byzantine subject. Fear and secrecy in front of the Mystery of Divine Presence are anthropological symptoms dominating the imaginary.",
author = "Nicoletta Isar",
year = "2014",
language = "English",
isbn = "978-87-7602-143-6",
series = "Publications of the National Museum. Studies in Archaeology & History",
pages = "27--44",
editor = "Grinder-Hansen, {Poul }",
booktitle = "Image and Altar 800‑1300. Papers from an International Conference in Copenhagen 24 October – 27 October 2007",
publisher = "Syddansk Universitetsforlag",
}
RIS
TY - GEN
T1 - Veiled Word(s) – Sacred Silence
T2 - Screening the Mystery in the Byzantine Altar
AU - Isar, Nicoletta
PY - 2014
Y1 - 2014
N2 - This paper defines the Byzantine altar as a sacred space of participative performance in the mystery of the Eucharist – a paradigm of “timeless re-enactment of the Christian drama.” Reading a series of Byzantine ekphraseis, the paper addresses such concepts as inner vision (theoria), silent or secret prayer, and divine silence, which are at the very centre of the Byzantine altar. The main focus is to investigate the liminal nature of the Mystery, manifested through concealing-revealing devices, which are thresholds in the liturgical participation of the Byzantine subject. Fear and secrecy in front of the Mystery of Divine Presence are anthropological symptoms dominating the imaginary.
AB - This paper defines the Byzantine altar as a sacred space of participative performance in the mystery of the Eucharist – a paradigm of “timeless re-enactment of the Christian drama.” Reading a series of Byzantine ekphraseis, the paper addresses such concepts as inner vision (theoria), silent or secret prayer, and divine silence, which are at the very centre of the Byzantine altar. The main focus is to investigate the liminal nature of the Mystery, manifested through concealing-revealing devices, which are thresholds in the liturgical participation of the Byzantine subject. Fear and secrecy in front of the Mystery of Divine Presence are anthropological symptoms dominating the imaginary.
M3 - Article in proceedings
SN - 978-87-7602-143-6
T3 - Publications of the National Museum. Studies in Archaeology & History
SP - 27
EP - 44
BT - Image and Altar 800‑1300. Papers from an International Conference in Copenhagen 24 October – 27 October 2007
A2 - Grinder-Hansen, Poul
PB - Syddansk Universitetsforlag
CY - Odense
ER -
