Tropes And Tools Of Creativity: The Ontology Of Image And Its Unpredictable Operations

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Standard

Tropes And Tools Of Creativity : The Ontology Of Image And Its Unpredictable Operations. / Isar, Nicoletta.

The Palgrave Handbook of Creativity and Culture Research . red. / Vlad Petre Glaveanu. Palgrave Macmillan, 2016. s. 701-720 (Palgrave Studies in Creativity and Culture).

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Harvard

Isar, N 2016, Tropes And Tools Of Creativity: The Ontology Of Image And Its Unpredictable Operations. i VP Glaveanu (red.), The Palgrave Handbook of Creativity and Culture Research . Palgrave Macmillan, Palgrave Studies in Creativity and Culture, s. 701-720. https://doi.org/10.1057/978-1-137-46344-9_34

APA

Isar, N. (2016). Tropes And Tools Of Creativity: The Ontology Of Image And Its Unpredictable Operations. I V. P. Glaveanu (red.), The Palgrave Handbook of Creativity and Culture Research (s. 701-720). Palgrave Macmillan. Palgrave Studies in Creativity and Culture https://doi.org/10.1057/978-1-137-46344-9_34

Vancouver

Isar N. Tropes And Tools Of Creativity: The Ontology Of Image And Its Unpredictable Operations. I Glaveanu VP, red., The Palgrave Handbook of Creativity and Culture Research . Palgrave Macmillan. 2016. s. 701-720. (Palgrave Studies in Creativity and Culture). https://doi.org/10.1057/978-1-137-46344-9_34

Author

Isar, Nicoletta. / Tropes And Tools Of Creativity : The Ontology Of Image And Its Unpredictable Operations. The Palgrave Handbook of Creativity and Culture Research . red. / Vlad Petre Glaveanu. Palgrave Macmillan, 2016. s. 701-720 (Palgrave Studies in Creativity and Culture).

Bibtex

@inbook{44386f1b7d1447c985a6ce38f6c293df,
title = "Tropes And Tools Of Creativity: The Ontology Of Image And Its Unpredictable Operations",
abstract = "By inquiring into the mythopoetic roots of creativity in Modernism, this paper aims further to search for answers regarding human creativity in one of its most enduring expressions and manifestations, detrimentally called Primitivism. Following Pellizzi{\textquoteright}s invitation to see “Primitivism as an essential rather than episodic constituent of our art historical consciousness,” and with the help of other anthropologists (L{\'e}vi-Strauss) and theorists of the image (Belting), I hope to understand why the “archaic” never died in ourselves. Focus will be on the artistic expressions of Brancusi{\textquoteright}s work and some of his Avant-garde contemporary, trying to define the mechanism of the creative process as a mythopoetic activity, a mode of “communication” between the model, the materials, and the user, a collective or authorless event, indeed, a revelation: a play of unpredictable operations. ",
author = "Nicoletta Isar",
year = "2016",
doi = "10.1057/978-1-137-46344-9_34",
language = "English",
isbn = "9781137463432 ",
series = "Palgrave Studies in Creativity and Culture",
pages = "701--720",
editor = "Glaveanu, {Vlad Petre }",
booktitle = "The Palgrave Handbook of Creativity and Culture Research",
publisher = "Palgrave Macmillan",
address = "United Kingdom",

}

RIS

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T1 - Tropes And Tools Of Creativity

T2 - The Ontology Of Image And Its Unpredictable Operations

AU - Isar, Nicoletta

PY - 2016

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N2 - By inquiring into the mythopoetic roots of creativity in Modernism, this paper aims further to search for answers regarding human creativity in one of its most enduring expressions and manifestations, detrimentally called Primitivism. Following Pellizzi’s invitation to see “Primitivism as an essential rather than episodic constituent of our art historical consciousness,” and with the help of other anthropologists (Lévi-Strauss) and theorists of the image (Belting), I hope to understand why the “archaic” never died in ourselves. Focus will be on the artistic expressions of Brancusi’s work and some of his Avant-garde contemporary, trying to define the mechanism of the creative process as a mythopoetic activity, a mode of “communication” between the model, the materials, and the user, a collective or authorless event, indeed, a revelation: a play of unpredictable operations.

AB - By inquiring into the mythopoetic roots of creativity in Modernism, this paper aims further to search for answers regarding human creativity in one of its most enduring expressions and manifestations, detrimentally called Primitivism. Following Pellizzi’s invitation to see “Primitivism as an essential rather than episodic constituent of our art historical consciousness,” and with the help of other anthropologists (Lévi-Strauss) and theorists of the image (Belting), I hope to understand why the “archaic” never died in ourselves. Focus will be on the artistic expressions of Brancusi’s work and some of his Avant-garde contemporary, trying to define the mechanism of the creative process as a mythopoetic activity, a mode of “communication” between the model, the materials, and the user, a collective or authorless event, indeed, a revelation: a play of unpredictable operations.

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DO - 10.1057/978-1-137-46344-9_34

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SN - 9781137463432

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BT - The Palgrave Handbook of Creativity and Culture Research

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