The Wrath of Image: Violent Origins of Art as Technè and its Contemporary Aftermath Anthropogony in the Era of the Artificial

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The Wrath of Image : Violent Origins of Art as Technè and its Contemporary Aftermath Anthropogony in the Era of the Artificial. / Isar, Nicoletta.

Transvisuality - the cultural dimension of visuality. Vol. 1 Boundaries and creative openings . red. / Tore Kristensen; Anders Michelsen; Frauke Wiegand. October 15, 2013. udg. Liverpool University Press : Liverpool University Press, 2013. s. 114-127.

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Harvard

Isar, N 2013, The Wrath of Image: Violent Origins of Art as Technè and its Contemporary Aftermath Anthropogony in the Era of the Artificial. i T Kristensen, A Michelsen & F Wiegand (red), Transvisuality - the cultural dimension of visuality. Vol. 1 Boundaries and creative openings . October 15, 2013 udg, Liverpool University Press, Liverpool University Press , s. 114-127.

APA

Isar, N. (2013). The Wrath of Image: Violent Origins of Art as Technè and its Contemporary Aftermath Anthropogony in the Era of the Artificial. I T. Kristensen, A. Michelsen, & F. Wiegand (red.), Transvisuality - the cultural dimension of visuality. Vol. 1 Boundaries and creative openings (October 15, 2013 udg., s. 114-127). Liverpool University Press.

Vancouver

Isar N. The Wrath of Image: Violent Origins of Art as Technè and its Contemporary Aftermath Anthropogony in the Era of the Artificial. I Kristensen T, Michelsen A, Wiegand F, red., Transvisuality - the cultural dimension of visuality. Vol. 1 Boundaries and creative openings . October 15, 2013 udg. Liverpool University Press : Liverpool University Press. 2013. s. 114-127

Author

Isar, Nicoletta. / The Wrath of Image : Violent Origins of Art as Technè and its Contemporary Aftermath Anthropogony in the Era of the Artificial. Transvisuality - the cultural dimension of visuality. Vol. 1 Boundaries and creative openings . red. / Tore Kristensen ; Anders Michelsen ; Frauke Wiegand. October 15, 2013. udg. Liverpool University Press : Liverpool University Press, 2013. s. 114-127

Bibtex

@inbook{f1f6ecaee9c64b23bd1b5aae0c5dc79f,
title = "The Wrath of Image: Violent Origins of Art as Techn{\`e} and its Contemporary Aftermath Anthropogony in the Era of the Artificial",
abstract = "The life of images has taken a new decisive turn in our time, which transvisuality is called upon to address and reveal the facets of this complex phenomenon. This article aims to address one of the thorniest subjects of transvisuality: the anthropogony as transgenic and cloning. Taking further Belting{\textquoteright}s line of thinking and his anthropology of image, the article approaches the subject in connection with the essence of anthropos and its substance – to deinon, that is, the awesome and duplicitary power of man given by techn{\`e}. The first part is devoted to prometheia, the mythical origins of art as techn{\`e}, and the violent origins of anthropogony. It moves into the analysis of the transformations of image in the era of bio-cybernetic reproduction, showing how scientific acts become aesthetic projects, art in itself, the latest expressions of techn{\`e}. Extreme science generates extreme art – the transgenic. The transgenic shows how by closing the gap between human and transhuman, transvisuality radically departs from the classical models of ontology and visuality emerging into a new field. I call it transvisuality in extremis, the transhuman facet of anthropogony. This is the new staging of prometheia in history, the expression of unsurpassed human imagination and creativity. ",
keywords = "Faculty of Humanities, Visualisering, transvisualisering, antropogoni",
author = "Nicoletta Isar",
year = "2013",
month = oct,
day = "15",
language = "English",
isbn = "1846318912 ",
pages = "114--127",
editor = "Tore Kristensen and Anders Michelsen and Wiegand, {Frauke }",
booktitle = "Transvisuality - the cultural dimension of visuality. Vol. 1 Boundaries and creative openings",
publisher = "Liverpool University Press",
address = "United Kingdom",
edition = "October 15, 2013",

}

RIS

TY - CHAP

T1 - The Wrath of Image

T2 - Violent Origins of Art as Technè and its Contemporary Aftermath Anthropogony in the Era of the Artificial

AU - Isar, Nicoletta

PY - 2013/10/15

Y1 - 2013/10/15

N2 - The life of images has taken a new decisive turn in our time, which transvisuality is called upon to address and reveal the facets of this complex phenomenon. This article aims to address one of the thorniest subjects of transvisuality: the anthropogony as transgenic and cloning. Taking further Belting’s line of thinking and his anthropology of image, the article approaches the subject in connection with the essence of anthropos and its substance – to deinon, that is, the awesome and duplicitary power of man given by technè. The first part is devoted to prometheia, the mythical origins of art as technè, and the violent origins of anthropogony. It moves into the analysis of the transformations of image in the era of bio-cybernetic reproduction, showing how scientific acts become aesthetic projects, art in itself, the latest expressions of technè. Extreme science generates extreme art – the transgenic. The transgenic shows how by closing the gap between human and transhuman, transvisuality radically departs from the classical models of ontology and visuality emerging into a new field. I call it transvisuality in extremis, the transhuman facet of anthropogony. This is the new staging of prometheia in history, the expression of unsurpassed human imagination and creativity.

AB - The life of images has taken a new decisive turn in our time, which transvisuality is called upon to address and reveal the facets of this complex phenomenon. This article aims to address one of the thorniest subjects of transvisuality: the anthropogony as transgenic and cloning. Taking further Belting’s line of thinking and his anthropology of image, the article approaches the subject in connection with the essence of anthropos and its substance – to deinon, that is, the awesome and duplicitary power of man given by technè. The first part is devoted to prometheia, the mythical origins of art as technè, and the violent origins of anthropogony. It moves into the analysis of the transformations of image in the era of bio-cybernetic reproduction, showing how scientific acts become aesthetic projects, art in itself, the latest expressions of technè. Extreme science generates extreme art – the transgenic. The transgenic shows how by closing the gap between human and transhuman, transvisuality radically departs from the classical models of ontology and visuality emerging into a new field. I call it transvisuality in extremis, the transhuman facet of anthropogony. This is the new staging of prometheia in history, the expression of unsurpassed human imagination and creativity.

KW - Faculty of Humanities

KW - Visualisering

KW - transvisualisering

KW - antropogoni

M3 - Book chapter

SN - 1846318912

SP - 114

EP - 127

BT - Transvisuality - the cultural dimension of visuality. Vol. 1 Boundaries and creative openings

A2 - Kristensen, Tore

A2 - Michelsen, Anders

A2 - Wiegand, Frauke

PB - Liverpool University Press

CY - Liverpool University Press

ER -

ID: 96788801