Staging the orient in Aladdin: London - Copenhagen

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Standard

Staging the orient in Aladdin: London - Copenhagen. / Svane, Marie-Louise.

I: European Romantic Review, Bind 29, Nr. 1, 2018, s. 37-42.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Svane, M-L 2018, 'Staging the orient in Aladdin: London - Copenhagen', European Romantic Review, bind 29, nr. 1, s. 37-42. https://doi.org/10.1080/10509585.2018.1417015

APA

Svane, M-L. (2018). Staging the orient in Aladdin: London - Copenhagen. European Romantic Review, 29(1), 37-42. https://doi.org/10.1080/10509585.2018.1417015

Vancouver

Svane M-L. Staging the orient in Aladdin: London - Copenhagen. European Romantic Review. 2018;29(1):37-42. https://doi.org/10.1080/10509585.2018.1417015

Author

Svane, Marie-Louise. / Staging the orient in Aladdin: London - Copenhagen. I: European Romantic Review. 2018 ; Bind 29, Nr. 1. s. 37-42.

Bibtex

@article{106d40ef858144b68b5311b165fcc30d,
title = "Staging the orient in Aladdin: London - Copenhagen",
abstract = "This essay studies the uses in Romantic drama of the oriental tale and material from The Arabian Nights Entertainment at the beginning of the nineteenth century. Taking as an example the popular tale of Aladdin , I focus on two dramatic adaptions: the Aladdin play by the Danish writer Adam Oehlenschl{\"a}ger published in 1805, and the first British Aladdin written in 1788 by John O{\textquoteright}Keeffe and adapted by Charles Farley for performance at Covent Garden in 1813. My comparative aims are, first, to explore how each adaptation tells different stories of the oriental other , and, second, to present specific answers to underlying questions about national identity. I argue that both plays concern identity and power, but whereas the British Aladdin toys with anxieties of imperial power, the Danish Aladdin is about the creative power of art.",
author = "Marie-Louise Svane",
note = "Charles Farley, Adam Oehlenschl{\"a}ger, Aladdin, orientalism, napoleonic wars, imperialism",
year = "2018",
doi = "10.1080/10509585.2018.1417015",
language = "English",
volume = "29",
pages = "37--42",
journal = "European Romantic Review",
issn = "1050-9585",
publisher = "Routledge",
number = "1",

}

RIS

TY - JOUR

T1 - Staging the orient in Aladdin: London - Copenhagen

AU - Svane, Marie-Louise

N1 - Charles Farley, Adam Oehlenschläger, Aladdin, orientalism, napoleonic wars, imperialism

PY - 2018

Y1 - 2018

N2 - This essay studies the uses in Romantic drama of the oriental tale and material from The Arabian Nights Entertainment at the beginning of the nineteenth century. Taking as an example the popular tale of Aladdin , I focus on two dramatic adaptions: the Aladdin play by the Danish writer Adam Oehlenschläger published in 1805, and the first British Aladdin written in 1788 by John O’Keeffe and adapted by Charles Farley for performance at Covent Garden in 1813. My comparative aims are, first, to explore how each adaptation tells different stories of the oriental other , and, second, to present specific answers to underlying questions about national identity. I argue that both plays concern identity and power, but whereas the British Aladdin toys with anxieties of imperial power, the Danish Aladdin is about the creative power of art.

AB - This essay studies the uses in Romantic drama of the oriental tale and material from The Arabian Nights Entertainment at the beginning of the nineteenth century. Taking as an example the popular tale of Aladdin , I focus on two dramatic adaptions: the Aladdin play by the Danish writer Adam Oehlenschläger published in 1805, and the first British Aladdin written in 1788 by John O’Keeffe and adapted by Charles Farley for performance at Covent Garden in 1813. My comparative aims are, first, to explore how each adaptation tells different stories of the oriental other , and, second, to present specific answers to underlying questions about national identity. I argue that both plays concern identity and power, but whereas the British Aladdin toys with anxieties of imperial power, the Danish Aladdin is about the creative power of art.

U2 - 10.1080/10509585.2018.1417015

DO - 10.1080/10509585.2018.1417015

M3 - Journal article

VL - 29

SP - 37

EP - 42

JO - European Romantic Review

JF - European Romantic Review

SN - 1050-9585

IS - 1

ER -

ID: 173459812