Hilarious Imperialists: Baktruppen’s Bad Family Photos from the World Tour

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Standard

Hilarious Imperialists : Baktruppen’s Bad Family Photos from the World Tour. / Schmidt, Cecilie Ullerup.

A Cultural History of the Avant-Garde in the Nordic Countries Since 1975. red. / Tania Ørum; Laura Luise Schultz; Camilla Skovbjerg Paldam; Benedikt Hjartarson. Bind 3 1. udg. Brill, 2022. s. 293-303 4.

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Harvard

Schmidt, CU 2022, Hilarious Imperialists: Baktruppen’s Bad Family Photos from the World Tour. i T Ørum, LL Schultz, CS Paldam & B Hjartarson (red), A Cultural History of the Avant-Garde in the Nordic Countries Since 1975. 1 udg, bind 3, 4, Brill, s. 293-303. https://doi.org/10.1163/9789004515956_021

APA

Schmidt, C. U. (2022). Hilarious Imperialists: Baktruppen’s Bad Family Photos from the World Tour. I T. Ørum, L. L. Schultz, C. S. Paldam, & B. Hjartarson (red.), A Cultural History of the Avant-Garde in the Nordic Countries Since 1975 (1 udg., Bind 3, s. 293-303). [4] Brill. https://doi.org/10.1163/9789004515956_021

Vancouver

Schmidt CU. Hilarious Imperialists: Baktruppen’s Bad Family Photos from the World Tour. I Ørum T, Schultz LL, Paldam CS, Hjartarson B, red., A Cultural History of the Avant-Garde in the Nordic Countries Since 1975. 1 udg. Bind 3. Brill. 2022. s. 293-303. 4 https://doi.org/10.1163/9789004515956_021

Author

Schmidt, Cecilie Ullerup. / Hilarious Imperialists : Baktruppen’s Bad Family Photos from the World Tour. A Cultural History of the Avant-Garde in the Nordic Countries Since 1975. red. / Tania Ørum ; Laura Luise Schultz ; Camilla Skovbjerg Paldam ; Benedikt Hjartarson. Bind 3 1. udg. Brill, 2022. s. 293-303

Bibtex

@inbook{195ca097798847dcb7d261003789d131,
title = "Hilarious Imperialists: Baktruppen{\textquoteright}s Bad Family Photos from the World Tour",
abstract = "Baktruppen (The Rear Guard) has been canonised as a performance art collective thatinsists on dismantling theatrical conventions and expectations. In theatre and performance studies, Baktruppen{\textquoteright}s anti-attitude towards notions of artistic quality, theatrical conventions and “doing good” has been particularly highlighted. This articleproposes a reading across the archive of their oeuvre and finds an ongoing politicalattempt to oppose nationalism and imperialism in Norway in the context of the selfconfident Nordic welfare state in decay. Baktruppen{\textquoteright}s explicit political critique of the self-satisfied development programmes launched by the Nordic countries has, however, been overshadowed by the reception given to their formalist experimentation.",
author = "Schmidt, {Cecilie Ullerup}",
year = "2022",
month = aug,
day = "18",
doi = "10.1163/9789004515956_021",
language = "English",
volume = "3",
pages = "293--303",
editor = "Tania {\O}rum and Schultz, {Laura Luise} and Paldam, {Camilla Skovbjerg } and Benedikt Hjartarson",
booktitle = "A Cultural History of the Avant-Garde in the Nordic Countries Since 1975",
publisher = "Brill",
address = "Netherlands",
edition = "1",

}

RIS

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T1 - Hilarious Imperialists

T2 - Baktruppen’s Bad Family Photos from the World Tour

AU - Schmidt, Cecilie Ullerup

PY - 2022/8/18

Y1 - 2022/8/18

N2 - Baktruppen (The Rear Guard) has been canonised as a performance art collective thatinsists on dismantling theatrical conventions and expectations. In theatre and performance studies, Baktruppen’s anti-attitude towards notions of artistic quality, theatrical conventions and “doing good” has been particularly highlighted. This articleproposes a reading across the archive of their oeuvre and finds an ongoing politicalattempt to oppose nationalism and imperialism in Norway in the context of the selfconfident Nordic welfare state in decay. Baktruppen’s explicit political critique of the self-satisfied development programmes launched by the Nordic countries has, however, been overshadowed by the reception given to their formalist experimentation.

AB - Baktruppen (The Rear Guard) has been canonised as a performance art collective thatinsists on dismantling theatrical conventions and expectations. In theatre and performance studies, Baktruppen’s anti-attitude towards notions of artistic quality, theatrical conventions and “doing good” has been particularly highlighted. This articleproposes a reading across the archive of their oeuvre and finds an ongoing politicalattempt to oppose nationalism and imperialism in Norway in the context of the selfconfident Nordic welfare state in decay. Baktruppen’s explicit political critique of the self-satisfied development programmes launched by the Nordic countries has, however, been overshadowed by the reception given to their formalist experimentation.

UR - https://soeg.kb.dk/permalink/45KBDK_KGL/1pioq0f/alma99124174839505763

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DO - 10.1163/9789004515956_021

M3 - Book chapter

VL - 3

SP - 293

EP - 303

BT - A Cultural History of the Avant-Garde in the Nordic Countries Since 1975

A2 - Ørum, Tania

A2 - Schultz, Laura Luise

A2 - Paldam, Camilla Skovbjerg

A2 - Hjartarson, Benedikt

PB - Brill

ER -

ID: 324426070