Forming a circle: The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark

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Standard

Forming a circle : The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark. / Schmidt, Cecilie Ullerup; Ølholm, Marianne (Oversætter).

I: Peripeti, Bind 20, Nr. 38, 2023, s. 102-113.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Schmidt, CU 2023, 'Forming a circle: The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark', Peripeti, bind 20, nr. 38, s. 102-113. <https://tidsskrift.dk/peripeti/article/view/136790/181285>

APA

Schmidt, C. U., & Ølholm, M., (TRANS.) (2023). Forming a circle: The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark. Peripeti, 20(38), 102-113. https://tidsskrift.dk/peripeti/article/view/136790/181285

Vancouver

Schmidt CU, Ølholm M. Forming a circle: The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark. Peripeti. 2023;20(38):102-113.

Author

Schmidt, Cecilie Ullerup ; Ølholm, Marianne. / Forming a circle : The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark. I: Peripeti. 2023 ; Bind 20, Nr. 38. s. 102-113.

Bibtex

@article{f96ace956af047478736a5144510ae6f,
title = "Forming a circle: The practice of Fors{\o}gsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark",
abstract = "Fors{\o}gsscenen (The Experimental Stage, 1929-31) is examined as a historically early example of com munity-organising artistic practice. By analysing Fors{\o}gsscenen based on cultural objects such as their production of a little magazine, their distribution policy and their infrastructural performance, the scholarly inquiry is shifted from the reception of the artwork in theatre history, towards approaching a materialist understanding of Fors{\o}gsscenen's production aesthetic contribution in avant-garde history. Historiographically, a comparativist perspective is employed, which finds kinship both between collective organisations in the 1930s and kinship with contemporary concepts of self-institutionalisation as counterculture: redistributive, political and institution-forming prac-tices that unfold as a response to the common art institutions in late capitalism.",
keywords = "Faculty of Humanities, Kunstnerkollektiver, Fors{\o}gsscenen, Artists' collective, 1930s",
author = "Schmidt, {Cecilie Ullerup} and Marianne {\O}lholm",
year = "2023",
language = "English",
volume = "20",
pages = "102--113",
journal = "Peripeti",
issn = "1604-0325",
publisher = "Afdeling for Dramaturgi, Institut for {\AE}stetiske Fag",
number = "38",

}

RIS

TY - JOUR

T1 - Forming a circle

T2 - The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark

AU - Schmidt, Cecilie Ullerup

A2 - Ølholm, Marianne

PY - 2023

Y1 - 2023

N2 - Forsøgsscenen (The Experimental Stage, 1929-31) is examined as a historically early example of com munity-organising artistic practice. By analysing Forsøgsscenen based on cultural objects such as their production of a little magazine, their distribution policy and their infrastructural performance, the scholarly inquiry is shifted from the reception of the artwork in theatre history, towards approaching a materialist understanding of Forsøgsscenen's production aesthetic contribution in avant-garde history. Historiographically, a comparativist perspective is employed, which finds kinship both between collective organisations in the 1930s and kinship with contemporary concepts of self-institutionalisation as counterculture: redistributive, political and institution-forming prac-tices that unfold as a response to the common art institutions in late capitalism.

AB - Forsøgsscenen (The Experimental Stage, 1929-31) is examined as a historically early example of com munity-organising artistic practice. By analysing Forsøgsscenen based on cultural objects such as their production of a little magazine, their distribution policy and their infrastructural performance, the scholarly inquiry is shifted from the reception of the artwork in theatre history, towards approaching a materialist understanding of Forsøgsscenen's production aesthetic contribution in avant-garde history. Historiographically, a comparativist perspective is employed, which finds kinship both between collective organisations in the 1930s and kinship with contemporary concepts of self-institutionalisation as counterculture: redistributive, political and institution-forming prac-tices that unfold as a response to the common art institutions in late capitalism.

KW - Faculty of Humanities

KW - Kunstnerkollektiver

KW - Forsøgsscenen

KW - Artists' collective

KW - 1930s

M3 - Journal article

VL - 20

SP - 102

EP - 113

JO - Peripeti

JF - Peripeti

SN - 1604-0325

IS - 38

ER -

ID: 376067708