Curating

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Standard

Curating. / Gade, Solveig (Redaktør); Møller Madsen, Storm (Redaktør); Marschall, Annika (Redaktør); Rosendal Nielsen, Thomas (Redaktør).

I: Peripeti, Bind 19, Nr. 35, 2022.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Gade, S, Møller Madsen, S, Marschall, A & Rosendal Nielsen, T (red) 2022, 'Curating', Peripeti, bind 19, nr. 35. <https://tidsskrift.dk/peripeti/issue/view/9553>

APA

Gade, S., Møller Madsen, S., Marschall, A., & Rosendal Nielsen, T. (red.) (2022). Curating. Peripeti, 19(35). https://tidsskrift.dk/peripeti/issue/view/9553

Vancouver

Gade S, (ed.), Møller Madsen S, (ed.), Marschall A, (ed.), Rosendal Nielsen T, (ed.). Curating. Peripeti. 2022;19(35).

Author

Gade, Solveig (Redaktør) ; Møller Madsen, Storm (Redaktør) ; Marschall, Annika (Redaktør) ; Rosendal Nielsen, Thomas (Redaktør). / Curating. I: Peripeti. 2022 ; Bind 19, Nr. 35.

Bibtex

@article{c9c0c461f4004c8db85a0b2aa39d80bb,
title = "Curating",
abstract = "This issue of Peripeti is dedicated to curating within and in relation to the field of performing arts. Deriving from the Latin curatus, to curate means “to care for”. Over the past ten to fifteen years, the field of performing arts has gradually adapted the term of curation. As illustrated by the contributions to this issue, curatorial practices invite us, with renewed vigor, to negotiate whose histories and tastes artworks actually represent, and who gets to think, write and curate public spaces and cultural experiences for whom: What does it mean to {\textquoteleft}curate{\textquoteright} repertoires in theatre institutions, to {\textquoteleft}curate{\textquoteright} performing arts festivals or to {\textquoteleft}curate{\textquoteright} performance practices outside of purpose-built theatre buildings? Where do curatorial practices and dramaturgical practices align, overlap and/or differ? What does a curatorial lens offer for the field of theatre making and dramaturgy? What is the potential and what are the limits to putting into dialogue curatorial traditions within art museums and the field of theatre, dramaturgs and performing arts?",
author = "Solveig Gade and {M{\o}ller Madsen}, Storm and Annika Marschall and {Rosendal Nielsen}, Thomas",
year = "2022",
language = "English",
volume = "19",
journal = "Peripeti",
issn = "1604-0325",
publisher = "Afdeling for Dramaturgi, Institut for {\AE}stetiske Fag",
number = "35",

}

RIS

TY - JOUR

T1 - Curating

A2 - Gade, Solveig

A2 - Møller Madsen, Storm

A2 - Marschall, Annika

A2 - Rosendal Nielsen, Thomas

PY - 2022

Y1 - 2022

N2 - This issue of Peripeti is dedicated to curating within and in relation to the field of performing arts. Deriving from the Latin curatus, to curate means “to care for”. Over the past ten to fifteen years, the field of performing arts has gradually adapted the term of curation. As illustrated by the contributions to this issue, curatorial practices invite us, with renewed vigor, to negotiate whose histories and tastes artworks actually represent, and who gets to think, write and curate public spaces and cultural experiences for whom: What does it mean to ‘curate’ repertoires in theatre institutions, to ‘curate’ performing arts festivals or to ‘curate’ performance practices outside of purpose-built theatre buildings? Where do curatorial practices and dramaturgical practices align, overlap and/or differ? What does a curatorial lens offer for the field of theatre making and dramaturgy? What is the potential and what are the limits to putting into dialogue curatorial traditions within art museums and the field of theatre, dramaturgs and performing arts?

AB - This issue of Peripeti is dedicated to curating within and in relation to the field of performing arts. Deriving from the Latin curatus, to curate means “to care for”. Over the past ten to fifteen years, the field of performing arts has gradually adapted the term of curation. As illustrated by the contributions to this issue, curatorial practices invite us, with renewed vigor, to negotiate whose histories and tastes artworks actually represent, and who gets to think, write and curate public spaces and cultural experiences for whom: What does it mean to ‘curate’ repertoires in theatre institutions, to ‘curate’ performing arts festivals or to ‘curate’ performance practices outside of purpose-built theatre buildings? Where do curatorial practices and dramaturgical practices align, overlap and/or differ? What does a curatorial lens offer for the field of theatre making and dramaturgy? What is the potential and what are the limits to putting into dialogue curatorial traditions within art museums and the field of theatre, dramaturgs and performing arts?

M3 - Journal article

VL - 19

JO - Peripeti

JF - Peripeti

SN - 1604-0325

IS - 35

ER -

ID: 337792429