Passing and Flowing: Rhythmical Entanglements of Writing, Painting and Knitting in Virginia Woolf and Berthe Morisot
Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt
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Passing and Flowing : Rhythmical Entanglements of Writing, Painting and Knitting in Virginia Woolf and Berthe Morisot. / Heine, Stefanie.
Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary : Rites of Disimagination. red. / Nicoletta Isar. Palgrave Macmillan, 2024. s. 117-131.Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt
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TY - CHAP
T1 - Passing and Flowing
T2 - Rhythmical Entanglements of Writing, Painting and Knitting in Virginia Woolf and Berthe Morisot
AU - Heine, Stefanie
PY - 2024
Y1 - 2024
N2 - “[F]or though they must part in the end, painting and writing have much to tell each other: they have much in common”, Virginia Woolf claims. This chapter tracks the relation among writing, painting, and a more mundane creative practice: knitting. Woolf often describes and stages painterly effects of material reading practices and a language that assumes textile qualities. In To the Lighthouse, moments in which writing, painting, and knitting touch upon each other are often presented as epiphanies that emerge from rhythmical patterns connecting words, textiles, colour, elements of the natural world and human beings. Expanding on such rhythmical entanglements in Woolf’s writing, I will discuss Berthe Morisot’s painting “Young Woman Knitting”. In the painting, the movement of the brushwork performatively presents the activity of knitting, which creates an effect of epiphanic connectedness that immediately splinters into fragments again.
AB - “[F]or though they must part in the end, painting and writing have much to tell each other: they have much in common”, Virginia Woolf claims. This chapter tracks the relation among writing, painting, and a more mundane creative practice: knitting. Woolf often describes and stages painterly effects of material reading practices and a language that assumes textile qualities. In To the Lighthouse, moments in which writing, painting, and knitting touch upon each other are often presented as epiphanies that emerge from rhythmical patterns connecting words, textiles, colour, elements of the natural world and human beings. Expanding on such rhythmical entanglements in Woolf’s writing, I will discuss Berthe Morisot’s painting “Young Woman Knitting”. In the painting, the movement of the brushwork performatively presents the activity of knitting, which creates an effect of epiphanic connectedness that immediately splinters into fragments again.
U2 - 10.1007/978-3-031-49945-6_5
DO - 10.1007/978-3-031-49945-6_5
M3 - Book chapter
SN - 9783031499449
SN - 9783031499470
SP - 117
EP - 131
BT - Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary
A2 - Isar, Nicoletta
PB - Palgrave Macmillan
ER -
ID: 385017889