Humanizing Architecture: The Urban Digital Gallery

Publikation: Bidrag til bog/antologi/rapportKonferencebidrag i proceedingsForskningfagfællebedømt

Standard

Humanizing Architecture : The Urban Digital Gallery. / Toft, Tanya Søndergaard.

Conference Proceeding for Media Architecture Biennial (20/11) 2014. 2015.

Publikation: Bidrag til bog/antologi/rapportKonferencebidrag i proceedingsForskningfagfællebedømt

Harvard

Toft, TS 2015, Humanizing Architecture: The Urban Digital Gallery. i Conference Proceeding for Media Architecture Biennial (20/11) 2014. Media Architecture Biennale 2014, Aarhus, Danmark, 19/11/2014. <http://mab14.mediaarchitecture.org>

APA

Toft, T. S. (2015). Humanizing Architecture: The Urban Digital Gallery. I Conference Proceeding for Media Architecture Biennial (20/11) 2014 http://mab14.mediaarchitecture.org

Vancouver

Toft TS. Humanizing Architecture: The Urban Digital Gallery. I Conference Proceeding for Media Architecture Biennial (20/11) 2014. 2015

Author

Toft, Tanya Søndergaard. / Humanizing Architecture : The Urban Digital Gallery. Conference Proceeding for Media Architecture Biennial (20/11) 2014. 2015.

Bibtex

@inproceedings{ec9436a37e8a4c35b4e8f90a27e04c44,
title = "Humanizing Architecture: The Urban Digital Gallery",
abstract = "The article proposes the urban digital gallery as an opportunity to explore the relationship between {\textquoteleft}human{\textquoteright} and {\textquoteleft}technology,{\textquoteright} through the programming of media architecture. It takes a curatorial perspective when proposing an ontological shift from considering media facades as visual spectacles to consider how they may act as emotional and affective constitutes and interventions in the urban environment. The article takes the SESI Digital Gallery in S{\~a}o Paulo as an example when analyzing how the curatorial approach can pursue this. This is a gallery not acting like a mimicry machine “representing” nature and its given phenomena but acting like a catalyst that reformulates the local program of experience by means of experimentation with various modes of interactivity and audience engagement. The article argues that the urban digital gallery holds the opportunity to enhance social relations, citizen agency and a sense of being by way of dematerializing architecture. This is achieved by way of programming the symbolic to provide new emotional realizations and situations of enlightenment in the public audience. This reflects a greater potential to humanize the digital in media architecture. ",
author = "Toft, {Tanya S{\o}ndergaard}",
year = "2015",
language = "English",
booktitle = "Conference Proceeding for Media Architecture Biennial (20/11) 2014",
note = "null ; Conference date: 19-11-2014 Through 22-11-2014",

}

RIS

TY - GEN

T1 - Humanizing Architecture

AU - Toft, Tanya Søndergaard

PY - 2015

Y1 - 2015

N2 - The article proposes the urban digital gallery as an opportunity to explore the relationship between ‘human’ and ‘technology,’ through the programming of media architecture. It takes a curatorial perspective when proposing an ontological shift from considering media facades as visual spectacles to consider how they may act as emotional and affective constitutes and interventions in the urban environment. The article takes the SESI Digital Gallery in São Paulo as an example when analyzing how the curatorial approach can pursue this. This is a gallery not acting like a mimicry machine “representing” nature and its given phenomena but acting like a catalyst that reformulates the local program of experience by means of experimentation with various modes of interactivity and audience engagement. The article argues that the urban digital gallery holds the opportunity to enhance social relations, citizen agency and a sense of being by way of dematerializing architecture. This is achieved by way of programming the symbolic to provide new emotional realizations and situations of enlightenment in the public audience. This reflects a greater potential to humanize the digital in media architecture.

AB - The article proposes the urban digital gallery as an opportunity to explore the relationship between ‘human’ and ‘technology,’ through the programming of media architecture. It takes a curatorial perspective when proposing an ontological shift from considering media facades as visual spectacles to consider how they may act as emotional and affective constitutes and interventions in the urban environment. The article takes the SESI Digital Gallery in São Paulo as an example when analyzing how the curatorial approach can pursue this. This is a gallery not acting like a mimicry machine “representing” nature and its given phenomena but acting like a catalyst that reformulates the local program of experience by means of experimentation with various modes of interactivity and audience engagement. The article argues that the urban digital gallery holds the opportunity to enhance social relations, citizen agency and a sense of being by way of dematerializing architecture. This is achieved by way of programming the symbolic to provide new emotional realizations and situations of enlightenment in the public audience. This reflects a greater potential to humanize the digital in media architecture.

UR - http://mab14.mediaarchitecture.org

M3 - Article in proceedings

BT - Conference Proceeding for Media Architecture Biennial (20/11) 2014

Y2 - 19 November 2014 through 22 November 2014

ER -

ID: 124094667