The Photograph as Network: Tracing – Disentangling – Relating: ANT as a Methodology in Visual Culture Studies

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The Photograph as Network : Tracing – Disentangling – Relating: ANT as a Methodology in Visual Culture Studies. / Wiegand, Frauke Katharina.

I: Academic Quarter, Bind 15, 2017, s. 54-66.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Wiegand, FK 2017, 'The Photograph as Network: Tracing – Disentangling – Relating: ANT as a Methodology in Visual Culture Studies', Academic Quarter, bind 15, s. 54-66. <http://www.akademiskkvarter.hum.aau.dk/pdf/vol15/4.FraukeWiegand_ThePhotographAsNetwork.pdf>

APA

Wiegand, F. K. (2017). The Photograph as Network: Tracing – Disentangling – Relating: ANT as a Methodology in Visual Culture Studies. Academic Quarter, 15, 54-66. http://www.akademiskkvarter.hum.aau.dk/pdf/vol15/4.FraukeWiegand_ThePhotographAsNetwork.pdf

Vancouver

Wiegand FK. The Photograph as Network: Tracing – Disentangling – Relating: ANT as a Methodology in Visual Culture Studies. Academic Quarter. 2017;15:54-66.

Author

Wiegand, Frauke Katharina. / The Photograph as Network : Tracing – Disentangling – Relating: ANT as a Methodology in Visual Culture Studies. I: Academic Quarter. 2017 ; Bind 15. s. 54-66.

Bibtex

@article{84dc16fa54484406acb18dda6ac07048,
title = "The Photograph as Network: Tracing – Disentangling – Relating: ANT as a Methodology in Visual Culture Studies",
abstract = "Inspired by actor-network theory (ANT), this article develops a theoretical framework to grasp the dynamic visual work of memory. It introduces three sensitizing concepts of actor-network methodology, namely entanglement, relationality and traceability, and operationalizes them in a methodological tool for reading the net-work of images. The case is two visitor snapshots at the photographic exhibition, {\textquoteleft}The Story of Soweto{\textquoteright}, in the famous Regina Mundi Church in Soweto, South Africa. I demonstrate that, when slightly adjusted for research engaging with visual materials, Latourian concepts are indeed productive for analyzing visual material and visual practices of memorial sites.",
author = "Wiegand, {Frauke Katharina}",
year = "2017",
language = "English",
volume = "15",
pages = "54--66",
journal = "Akademisk kvarter",
issn = "1904-0008",
publisher = "Aalborg Universitetsforlag",

}

RIS

TY - JOUR

T1 - The Photograph as Network

T2 - Tracing – Disentangling – Relating: ANT as a Methodology in Visual Culture Studies

AU - Wiegand, Frauke Katharina

PY - 2017

Y1 - 2017

N2 - Inspired by actor-network theory (ANT), this article develops a theoretical framework to grasp the dynamic visual work of memory. It introduces three sensitizing concepts of actor-network methodology, namely entanglement, relationality and traceability, and operationalizes them in a methodological tool for reading the net-work of images. The case is two visitor snapshots at the photographic exhibition, ‘The Story of Soweto’, in the famous Regina Mundi Church in Soweto, South Africa. I demonstrate that, when slightly adjusted for research engaging with visual materials, Latourian concepts are indeed productive for analyzing visual material and visual practices of memorial sites.

AB - Inspired by actor-network theory (ANT), this article develops a theoretical framework to grasp the dynamic visual work of memory. It introduces three sensitizing concepts of actor-network methodology, namely entanglement, relationality and traceability, and operationalizes them in a methodological tool for reading the net-work of images. The case is two visitor snapshots at the photographic exhibition, ‘The Story of Soweto’, in the famous Regina Mundi Church in Soweto, South Africa. I demonstrate that, when slightly adjusted for research engaging with visual materials, Latourian concepts are indeed productive for analyzing visual material and visual practices of memorial sites.

M3 - Journal article

VL - 15

SP - 54

EP - 66

JO - Akademisk kvarter

JF - Akademisk kvarter

SN - 1904-0008

ER -

ID: 174510145