Discontinuité et cohésion dans Vivre pour la raconter de Gabriel García Márquez: Autobiographie, autofiction, autoironie
Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
Dokumenter
- JPIC_Vol.I_no.2
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The present contribution aims at analyzing Gabriel García Márquez’s autobiographical work Vivir para contarla (Living to Tell the Tale) using psychoanalytic theory and Paul Ricœur’s notion of subjectivity (Soi-même comme un autre / Oneself as Another). By means of the analysis, Vivir para contarla is revealed as containing a high degree of fictional construction, something that gets especially clear through García Márquez’s self-representation. Eventually this self-irony throws both an autobiographical and an autofictional light on García Márquez’s fictional writings. In this way, Vivir para contarla endows, rather than a biographical key to it, the understanding that this author’s magic realism is a blend of lived experience and fabulation.
Originalsprog | Fransk |
---|---|
Artikelnummer | 2 |
Tidsskrift | Journal of Philology and Intercultural Communication / JPIC |
Vol/bind | 1 |
Udgave nummer | 2 |
Sider (fra-til) | 35-48 |
Antal sider | 14 |
ISSN | 2558-8478 |
Status | Udgivet - 2017 |
- Det Humanistiske Fakultet - Gabriel García Márquez, Vivir para contarla, Autobiography, autofiction, Paul Ricœur, philosophy of the subject
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