Concrete Memories: The In/Visibility of Bunker Ruins

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Standard

Concrete Memories : The In/Visibility of Bunker Ruins. / Wiegand, Frauke Katharina.

Transvisuality : The Cultural Dimension of Visuality : Volume II: Visual Organizations. red. / Anders Ib Michelsen; Frauke Katharina Wiegand; Tore Kristensen. Liverpool : Liverpool University Press, 2015.

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Harvard

Wiegand, FK 2015, Concrete Memories: The In/Visibility of Bunker Ruins. i AI Michelsen, FK Wiegand & T Kristensen (red), Transvisuality : The Cultural Dimension of Visuality : Volume II: Visual Organizations. Liverpool University Press, Liverpool.

APA

Wiegand, F. K. (2015). Concrete Memories: The In/Visibility of Bunker Ruins. I A. I. Michelsen, F. K. Wiegand, & T. Kristensen (red.), Transvisuality : The Cultural Dimension of Visuality : Volume II: Visual Organizations Liverpool University Press.

Vancouver

Wiegand FK. Concrete Memories: The In/Visibility of Bunker Ruins. I Michelsen AI, Wiegand FK, Kristensen T, red., Transvisuality : The Cultural Dimension of Visuality : Volume II: Visual Organizations. Liverpool: Liverpool University Press. 2015

Author

Wiegand, Frauke Katharina. / Concrete Memories : The In/Visibility of Bunker Ruins. Transvisuality : The Cultural Dimension of Visuality : Volume II: Visual Organizations. red. / Anders Ib Michelsen ; Frauke Katharina Wiegand ; Tore Kristensen. Liverpool : Liverpool University Press, 2015.

Bibtex

@inbook{d9070673af044ad8a4e9a303496ec631,
title = "Concrete Memories: The In/Visibility of Bunker Ruins",
abstract = "This article traces the presence of Atlantikwall bunkers in amateur holiday snapshots and discusses the ambiguous role of the bunker site in visual cultural memory. Departing from my family{\textquoteright}s private photo collection from twenty years of vacationing at the Danish West coast, the different mundane and poetic appropriations and inscriptions of the bunker site are depicted. Ranging between overlooked side presences and an overwhelming visibility, the concrete remains of fascist war architecture are involved in and motivate different sensuous experiences and mnemonic appropriations. The article meets the bunkers{\textquoteright} changing visuality and the cultural topography they both actively transform and are being transformed by through juxtaposing different acts and objects of memory over time and in different visual articulations.",
author = "Wiegand, {Frauke Katharina}",
year = "2015",
month = jul,
day = "27",
language = "English",
isbn = "9781781381786",
editor = "Michelsen, {Anders Ib} and Wiegand, {Frauke Katharina} and Tore Kristensen",
booktitle = "Transvisuality : The Cultural Dimension of Visuality : Volume II",
publisher = "Liverpool University Press",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - Concrete Memories

T2 - The In/Visibility of Bunker Ruins

AU - Wiegand, Frauke Katharina

PY - 2015/7/27

Y1 - 2015/7/27

N2 - This article traces the presence of Atlantikwall bunkers in amateur holiday snapshots and discusses the ambiguous role of the bunker site in visual cultural memory. Departing from my family’s private photo collection from twenty years of vacationing at the Danish West coast, the different mundane and poetic appropriations and inscriptions of the bunker site are depicted. Ranging between overlooked side presences and an overwhelming visibility, the concrete remains of fascist war architecture are involved in and motivate different sensuous experiences and mnemonic appropriations. The article meets the bunkers’ changing visuality and the cultural topography they both actively transform and are being transformed by through juxtaposing different acts and objects of memory over time and in different visual articulations.

AB - This article traces the presence of Atlantikwall bunkers in amateur holiday snapshots and discusses the ambiguous role of the bunker site in visual cultural memory. Departing from my family’s private photo collection from twenty years of vacationing at the Danish West coast, the different mundane and poetic appropriations and inscriptions of the bunker site are depicted. Ranging between overlooked side presences and an overwhelming visibility, the concrete remains of fascist war architecture are involved in and motivate different sensuous experiences and mnemonic appropriations. The article meets the bunkers’ changing visuality and the cultural topography they both actively transform and are being transformed by through juxtaposing different acts and objects of memory over time and in different visual articulations.

M3 - Book chapter

SN - 9781781381786

BT - Transvisuality : The Cultural Dimension of Visuality : Volume II

A2 - Michelsen, Anders Ib

A2 - Wiegand, Frauke Katharina

A2 - Kristensen, Tore

PB - Liverpool University Press

CY - Liverpool

ER -

ID: 131453733