Between Maps and Territories: a generative feedback loop

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Standard

Between Maps and Territories : a generative feedback loop. / Holmboe, Rasmus; Stricker, Jan Høgh.

I: Seismograf/DMT, Nr. Special Issue: Fluid Sounds, 30.08.2016.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Holmboe, R & Stricker, JH 2016, 'Between Maps and Territories: a generative feedback loop', Seismograf/DMT, nr. Special Issue: Fluid Sounds. <http://seismograf.org/fokus/fluid-sounds/between-maps-and-territories>

APA

Holmboe, R., & Stricker, J. H. (2016). Between Maps and Territories: a generative feedback loop. Seismograf/DMT, (Special Issue: Fluid Sounds). http://seismograf.org/fokus/fluid-sounds/between-maps-and-territories

Vancouver

Holmboe R, Stricker JH. Between Maps and Territories: a generative feedback loop. Seismograf/DMT. 2016 aug. 30;(Special Issue: Fluid Sounds).

Author

Holmboe, Rasmus ; Stricker, Jan Høgh. / Between Maps and Territories : a generative feedback loop. I: Seismograf/DMT. 2016 ; Nr. Special Issue: Fluid Sounds.

Bibtex

@article{09b28e7f6ab64a85af6554efd5f26a10,
title = "Between Maps and Territories: a generative feedback loop",
abstract = "This audio paper departs from an artwork made by Andreas F{\"u}hrer called The Map is Not The Territory D{\textquoteright}Or; a score for a soundwalk in the town of Roskilde, Denmark. The basic sound materials used in the audio paper are 1) an interview in Danish with the artist, 2) a voice over of a theoretical text in English, and 3) recordings from performances of the piece, including walking, breathing exercises, and the sounds of ventilation systems and other environmental sound. By mingling these different materials, and by using {\textquoteleft}map{\textquoteright} and {\textquoteleft}territory{\textquoteright} as metaphors, the paper complicates issues of representation and materialism, suggesting that it can never be one or the other, but always both at once. The paper does not offer a hermeneutic interpretation of F{\"u}hrer{\textquoteright}s piece; rather it is a performative appropriation that uses the piece as a machine for experimenting with the relations between artist and theorist, artwork, embodied experience and academic representation, all of which are categories rendered somewhat problematic by the format of the audio paper itself. ",
author = "Rasmus Holmboe and Stricker, {Jan H{\o}gh}",
note = "Part of the special issue Fluid Sounds",
year = "2016",
month = aug,
day = "30",
language = "English",
journal = "Seismograf/DMT",
issn = "2245-4705",
publisher = "Foreningen Dansk Musik Tidsskrift",
number = "Special Issue: Fluid Sounds",

}

RIS

TY - JOUR

T1 - Between Maps and Territories

T2 - a generative feedback loop

AU - Holmboe, Rasmus

AU - Stricker, Jan Høgh

N1 - Part of the special issue Fluid Sounds

PY - 2016/8/30

Y1 - 2016/8/30

N2 - This audio paper departs from an artwork made by Andreas Führer called The Map is Not The Territory D’Or; a score for a soundwalk in the town of Roskilde, Denmark. The basic sound materials used in the audio paper are 1) an interview in Danish with the artist, 2) a voice over of a theoretical text in English, and 3) recordings from performances of the piece, including walking, breathing exercises, and the sounds of ventilation systems and other environmental sound. By mingling these different materials, and by using ‘map’ and ‘territory’ as metaphors, the paper complicates issues of representation and materialism, suggesting that it can never be one or the other, but always both at once. The paper does not offer a hermeneutic interpretation of Führer’s piece; rather it is a performative appropriation that uses the piece as a machine for experimenting with the relations between artist and theorist, artwork, embodied experience and academic representation, all of which are categories rendered somewhat problematic by the format of the audio paper itself.

AB - This audio paper departs from an artwork made by Andreas Führer called The Map is Not The Territory D’Or; a score for a soundwalk in the town of Roskilde, Denmark. The basic sound materials used in the audio paper are 1) an interview in Danish with the artist, 2) a voice over of a theoretical text in English, and 3) recordings from performances of the piece, including walking, breathing exercises, and the sounds of ventilation systems and other environmental sound. By mingling these different materials, and by using ‘map’ and ‘territory’ as metaphors, the paper complicates issues of representation and materialism, suggesting that it can never be one or the other, but always both at once. The paper does not offer a hermeneutic interpretation of Führer’s piece; rather it is a performative appropriation that uses the piece as a machine for experimenting with the relations between artist and theorist, artwork, embodied experience and academic representation, all of which are categories rendered somewhat problematic by the format of the audio paper itself.

M3 - Journal article

JO - Seismograf/DMT

JF - Seismograf/DMT

SN - 2245-4705

IS - Special Issue: Fluid Sounds

ER -

ID: 165002532