Arts-based co-production in participatory research: Harnessing creativity in the tension between process and product

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Standard

Arts-based co-production in participatory research : Harnessing creativity in the tension between process and product. / Phillips, Louise Jane; Christensen-Strynø, Maria Bee; Frølunde, Lisbeth.

I: Evidence & Policy: A Journal of Research, Debate and Practice, Bind 18, Nr. 2, 2022, s. 391-411.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Phillips, LJ, Christensen-Strynø, MB & Frølunde, L 2022, 'Arts-based co-production in participatory research: Harnessing creativity in the tension between process and product', Evidence & Policy: A Journal of Research, Debate and Practice, bind 18, nr. 2, s. 391-411. https://doi.org/10.1332/174426421X16445103995426

APA

Phillips, L. J., Christensen-Strynø, M. B., & Frølunde, L. (2022). Arts-based co-production in participatory research: Harnessing creativity in the tension between process and product. Evidence & Policy: A Journal of Research, Debate and Practice, 18(2), 391-411. https://doi.org/10.1332/174426421X16445103995426

Vancouver

Phillips LJ, Christensen-Strynø MB, Frølunde L. Arts-based co-production in participatory research: Harnessing creativity in the tension between process and product. Evidence & Policy: A Journal of Research, Debate and Practice. 2022;18(2):391-411. https://doi.org/10.1332/174426421X16445103995426

Author

Phillips, Louise Jane ; Christensen-Strynø, Maria Bee ; Frølunde, Lisbeth. / Arts-based co-production in participatory research : Harnessing creativity in the tension between process and product. I: Evidence & Policy: A Journal of Research, Debate and Practice. 2022 ; Bind 18, Nr. 2. s. 391-411.

Bibtex

@article{2f01d3c23f5e4ccbb872380219c9695b,
title = "Arts-based co-production in participatory research: Harnessing creativity in the tension between process and product",
abstract = "Background: In participatory research approaches, co-researchers and university researchers aim to co-produce and disseminate knowledge across difference in order to contribute to social and practice change as well as research. The approaches often employ arts-based research methods to elicit experiential, embodied, affective, aesthetic ways of knowing. The use of arts-based research in co-production in participatory research is embedded in a contested discursive terrain. Here, it isembroiled in political struggles for legitimacy revolving around what counts as knowledge and whose knowledge counts.Aims and objectives: The aim is to present and illustrate the use of a theoretical framework for analysing the complexities of co-production in the nexus between arts and research – with a focus on the overarching tension between cultivating the collaborative, creative process and producing specific research results. The article maps out the contested discursive terrain of arts-based co-production, and illustrates the use of the theoretical framework in analysis of a participatory research project about dance for people with Parkinson{\textquoteright}s disease and their spouses.Methods: The theoretical framework combines Bakhtin{\textquoteright}s theory of dialogue, Foucault{\textquoteright}s theory of power/knowledge and discourse, Wetherell{\textquoteright}s theory of affect and emotion, and work in arts-based research on embodied, affective, aesthetic knowing.Results:The analysis shows how arts-based processes of co-production elicit embodied, emotional, aesthetic knowing and with what consequences for the research-based knowledge and other outputs generated.Discussion and conclusions:Trying to contribute to both research and practice entails navigating in a discursive terrain in which criteria for judging results, outputs and impact are often defined across conflicting discourses.",
author = "Phillips, {Louise Jane} and Christensen-Stryn{\o}, {Maria Bee} and Lisbeth Fr{\o}lunde",
year = "2022",
doi = "10.1332/174426421X16445103995426",
language = "English",
volume = "18",
pages = "391--411",
journal = "Evidence & Policy: A Journal of Research, Debate and Practice",
number = "2",

}

RIS

TY - JOUR

T1 - Arts-based co-production in participatory research

T2 - Harnessing creativity in the tension between process and product

AU - Phillips, Louise Jane

AU - Christensen-Strynø, Maria Bee

AU - Frølunde, Lisbeth

PY - 2022

Y1 - 2022

N2 - Background: In participatory research approaches, co-researchers and university researchers aim to co-produce and disseminate knowledge across difference in order to contribute to social and practice change as well as research. The approaches often employ arts-based research methods to elicit experiential, embodied, affective, aesthetic ways of knowing. The use of arts-based research in co-production in participatory research is embedded in a contested discursive terrain. Here, it isembroiled in political struggles for legitimacy revolving around what counts as knowledge and whose knowledge counts.Aims and objectives: The aim is to present and illustrate the use of a theoretical framework for analysing the complexities of co-production in the nexus between arts and research – with a focus on the overarching tension between cultivating the collaborative, creative process and producing specific research results. The article maps out the contested discursive terrain of arts-based co-production, and illustrates the use of the theoretical framework in analysis of a participatory research project about dance for people with Parkinson’s disease and their spouses.Methods: The theoretical framework combines Bakhtin’s theory of dialogue, Foucault’s theory of power/knowledge and discourse, Wetherell’s theory of affect and emotion, and work in arts-based research on embodied, affective, aesthetic knowing.Results:The analysis shows how arts-based processes of co-production elicit embodied, emotional, aesthetic knowing and with what consequences for the research-based knowledge and other outputs generated.Discussion and conclusions:Trying to contribute to both research and practice entails navigating in a discursive terrain in which criteria for judging results, outputs and impact are often defined across conflicting discourses.

AB - Background: In participatory research approaches, co-researchers and university researchers aim to co-produce and disseminate knowledge across difference in order to contribute to social and practice change as well as research. The approaches often employ arts-based research methods to elicit experiential, embodied, affective, aesthetic ways of knowing. The use of arts-based research in co-production in participatory research is embedded in a contested discursive terrain. Here, it isembroiled in political struggles for legitimacy revolving around what counts as knowledge and whose knowledge counts.Aims and objectives: The aim is to present and illustrate the use of a theoretical framework for analysing the complexities of co-production in the nexus between arts and research – with a focus on the overarching tension between cultivating the collaborative, creative process and producing specific research results. The article maps out the contested discursive terrain of arts-based co-production, and illustrates the use of the theoretical framework in analysis of a participatory research project about dance for people with Parkinson’s disease and their spouses.Methods: The theoretical framework combines Bakhtin’s theory of dialogue, Foucault’s theory of power/knowledge and discourse, Wetherell’s theory of affect and emotion, and work in arts-based research on embodied, affective, aesthetic knowing.Results:The analysis shows how arts-based processes of co-production elicit embodied, emotional, aesthetic knowing and with what consequences for the research-based knowledge and other outputs generated.Discussion and conclusions:Trying to contribute to both research and practice entails navigating in a discursive terrain in which criteria for judging results, outputs and impact are often defined across conflicting discourses.

U2 - 10.1332/174426421X16445103995426

DO - 10.1332/174426421X16445103995426

M3 - Journal article

VL - 18

SP - 391

EP - 411

JO - Evidence & Policy: A Journal of Research, Debate and Practice

JF - Evidence & Policy: A Journal of Research, Debate and Practice

IS - 2

ER -

ID: 315171418