Hans Christian Andersen and J.P.E. Hartmann’s opera Ravnen as a ‘melodramatisation’ of Carlo Gozzi’s Il Corvo

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Hans Christian Andersen and J.P.E. Hartmann’s opera Ravnen as a ‘melodramatisation’ of Carlo Gozzi’s Il Corvo. / Hesselager, Jens.

Das Melodram in Geschichte und Aufführungspraxis. red. / Christian Philipsen; Ute Omonsky. Augsburg : Wissner Verlag, 2020. s. 207-224 (Michaelsteiner Konferenzberichte, Bind 87).

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning

Harvard

Hesselager, J 2020, Hans Christian Andersen and J.P.E. Hartmann’s opera Ravnen as a ‘melodramatisation’ of Carlo Gozzi’s Il Corvo. i C Philipsen & U Omonsky (red), Das Melodram in Geschichte und Aufführungspraxis. Wissner Verlag, Augsburg, Michaelsteiner Konferenzberichte, bind 87, s. 207-224.

APA

Hesselager, J. (2020). Hans Christian Andersen and J.P.E. Hartmann’s opera Ravnen as a ‘melodramatisation’ of Carlo Gozzi’s Il Corvo. I C. Philipsen, & U. Omonsky (red.), Das Melodram in Geschichte und Aufführungspraxis (s. 207-224). Wissner Verlag. Michaelsteiner Konferenzberichte Bind 87

Vancouver

Hesselager J. Hans Christian Andersen and J.P.E. Hartmann’s opera Ravnen as a ‘melodramatisation’ of Carlo Gozzi’s Il Corvo. I Philipsen C, Omonsky U, red., Das Melodram in Geschichte und Aufführungspraxis. Augsburg: Wissner Verlag. 2020. s. 207-224. (Michaelsteiner Konferenzberichte, Bind 87).

Author

Hesselager, Jens. / Hans Christian Andersen and J.P.E. Hartmann’s opera Ravnen as a ‘melodramatisation’ of Carlo Gozzi’s Il Corvo. Das Melodram in Geschichte und Aufführungspraxis. red. / Christian Philipsen ; Ute Omonsky. Augsburg : Wissner Verlag, 2020. s. 207-224 (Michaelsteiner Konferenzberichte, Bind 87).

Bibtex

@inbook{45cec8dd08f74f2f96211e659a87933e,
title = "Hans Christian Andersen and J.P.E. Hartmann{\textquoteright}s opera Ravnen as a {\textquoteleft}melodramatisation{\textquoteright} of Carlo Gozzi{\textquoteright}s Il Corvo",
abstract = "German and French melodrama traditions of the early 19th century generally count as rather distinct, even antithetical traditions, which, nevertheless, sometimes cross each other's paths and meet in points of contact (Hambridge and Hicks, 2018). In this article I examine Hans Christian Andersen's and Johan Peter Emilius Hartmann's opera Ravnen (1832) (an adaptation of Carlo Gozzi's Il Corvo (1762)) in which melodrama numbers play a surprisingly prominent role - and argue that this work may be indeed by viewed as such a meeting point between the 'twin styles of melodrama'.",
keywords = "Faculty of Humanities, Melodrama, H.C. Andersen, J.P.E. Hartmann, Dansk opera, Carlo Gozzi, Ravnen, Il corvo, Melodrama, Hans Christian Andersen, J P E Hartmann, Opera and re-contextualization, Reception of melodrama in Danmark, 'Twin styles of melodrama', Aesthetics of muteness, Cultural Translation, Carlo Gozzi, Il corvo",
author = "Jens Hesselager",
year = "2020",
month = nov,
day = "23",
language = "English",
isbn = "783957862358",
series = "Michaelsteiner Konferenzberichte",
publisher = "Wissner Verlag",
pages = "207--224",
editor = "Christian Philipsen and Ute Omonsky",
booktitle = "Das Melodram in Geschichte und Auff{\"u}hrungspraxis",

}

RIS

TY - CHAP

T1 - Hans Christian Andersen and J.P.E. Hartmann’s opera Ravnen as a ‘melodramatisation’ of Carlo Gozzi’s Il Corvo

AU - Hesselager, Jens

PY - 2020/11/23

Y1 - 2020/11/23

N2 - German and French melodrama traditions of the early 19th century generally count as rather distinct, even antithetical traditions, which, nevertheless, sometimes cross each other's paths and meet in points of contact (Hambridge and Hicks, 2018). In this article I examine Hans Christian Andersen's and Johan Peter Emilius Hartmann's opera Ravnen (1832) (an adaptation of Carlo Gozzi's Il Corvo (1762)) in which melodrama numbers play a surprisingly prominent role - and argue that this work may be indeed by viewed as such a meeting point between the 'twin styles of melodrama'.

AB - German and French melodrama traditions of the early 19th century generally count as rather distinct, even antithetical traditions, which, nevertheless, sometimes cross each other's paths and meet in points of contact (Hambridge and Hicks, 2018). In this article I examine Hans Christian Andersen's and Johan Peter Emilius Hartmann's opera Ravnen (1832) (an adaptation of Carlo Gozzi's Il Corvo (1762)) in which melodrama numbers play a surprisingly prominent role - and argue that this work may be indeed by viewed as such a meeting point between the 'twin styles of melodrama'.

KW - Faculty of Humanities

KW - Melodrama

KW - H.C. Andersen

KW - J.P.E. Hartmann

KW - Dansk opera

KW - Carlo Gozzi

KW - Ravnen

KW - Il corvo

KW - Melodrama

KW - Hans Christian Andersen

KW - J P E Hartmann

KW - Opera and re-contextualization

KW - Reception of melodrama in Danmark

KW - 'Twin styles of melodrama'

KW - Aesthetics of muteness

KW - Cultural Translation

KW - Carlo Gozzi

KW - Il corvo

UR - https://www.wissner.com/wissner-musikbuch/buchreihen-wissner-musikbuch/michaelsteiner-konferenzberichte/das-melodram-in-geschichte-und-auffuhrungspraxis-detail

M3 - Book chapter

SN - 783957862358

T3 - Michaelsteiner Konferenzberichte

SP - 207

EP - 224

BT - Das Melodram in Geschichte und Aufführungspraxis

A2 - Philipsen, Christian

A2 - Omonsky, Ute

PB - Wissner Verlag

CY - Augsburg

ER -

ID: 241049449